Kelly
Cherry’s brief but illuminating volume The Life and Death of Poetry
(2013) provides a poetic exploration of language in a manner somewhat
reminiscent of Harryette Mullen’s 2002 collection Sleeping with the
Dictionary. In Cherry’s case, however, there is less play with individual
words and letters (what Mullen’s collection largely turns on) and more
attention given to the notions behind language. Where does the idea of language
even come from? How and who creates language? What purpose does language serve
after it has been created? Cherry artfully wrestles with such questions as
these throughout her collection.
Underlying
Cherry’s volume is the notion of language’s ultimate power to connect beings to
one another. Cherry emphasizes this idea particularly through poetry, casting
it simultaneously as a thing that is beautiful and elusive and yet also with
the redeeming power of enabling us to understand the human experience.
In her poem
“Language,” for example, Cherry writes that language may
ennoble
the soul,
electrify the mind,
beautify the
Chernobyls
of our
devastated hearts, and enable
us to know
our human kind.
By comparing
our broken hearts to the barren wasteland of Chernobyl, Cherry highlights
language’s healing properties, and its ability to make even something decimated
feel capable of regrowth. Alongside this comparison, she also points out that
language can enable human beings to better know and understand one another,
both of which are ideas she applies to poetry elsewhere in the collection.
In “Poetic
Justice,” she quotes two lines about mercy from Act IV, Scene 1 of The
Merchant of Venice as an epigraph. From this starting point, she writes:
Not from the
poet—
from
somewhere—where?—
the poem
acquires
the quality
of mercy,
reviving us
as does the
gentle rain
green
leaves;
[…]
the poem
assures us
we are
forgiven,
we are but
human.
Here, poetry
is portrayed as merciful and capable of providing human beings with forgiveness
that we crave and so often must go without for one reason or another. Because
poetry allows us insight into the human condition and our common human
experiences, we read it and are reminded that we are only human, and in this
way, poetry forgives us our very nature, since, being human, we are all prone
to fall short or miss the mark at some point. Poetry is merciful because it
shows us how we are all alike rather than how we are different.
In the last
poem of her volume—the title poem—Cherry constructs a conceit in which she
renders poetry’s life and death analogous to that of Jesus Christ. Again, she
emphasizes the idea that poetry is a way for us to connect to one another
(perhaps, in this way, serving a similar function to religious beliefs). She
begins the poem recalling the opening verse of John in the Gospels:
If word came
into the world
Taking the
form of man,
Poetry is
body,
Flesh and
blood we read,
A text that,
like a heart,
Can move a
heart to love.
And she ends
the poem with the lines
The body
Is as
helpless as a reed,
But it has a
heart
A poem can
move to love.
Cherry
purports that if we believe in the Gospel idea of the Word-made-flesh, then,
when we read poetry, it is as if we are reading another living being that
possesses a heart of its own. And because poetry has a heart, it is able to
move our own hearts. Our bodies themselves are pliable, easily bent or broken
like the reeds they are compared to at the end of the poem. But Cherry once
more calls upon the healing, restorative property of poetry as something that
can transcend our helpless bodies and touch our hearts instead.
If poetry
can indeed move our hearts to love, then is it serving a similar purpose to
religion? Perhaps. But more important than this, Kelly Cherry’s The Life and
Death of Poetry turns on the idea that language and communication are means
of understanding and moving one another, of spreading love and forgiveness and
mercy throughout the world, as a means of counteracting the destruction that
has taken place.
(To purchase this volume on Amazon: http://www.amazon.com/Life-Death-Poetry-Poems/dp/0807150428/ref=asap_bc?ie=UTF8)
(To purchase this volume on Amazon: http://www.amazon.com/Life-Death-Poetry-Poems/dp/0807150428/ref=asap_bc?ie=UTF8)
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